Thursday, January 7, 2010

Hans Von Aachen - Holy Family with St. Anne and Two Angels


HANS VAN AACHEN
Cologne 1552 — 1615 Prague
Holy Family with St. Anne and Two Angels
oil on copper. 111/16 x 81/2" (281 x 216 mm)

Hans Von Aachen - Annunciation


Hans Von Aachen
Annunciation

Hans Von Aachen - St. George slaying the dragon


Hans Von Aachen
St. George slaying the dragon

Hans Von Aachen - Selbstbildnis


Hans Von Aachen
Selbstbildnis

Hans Von Aachen - Rudolf II


Hans Von Aachen
Rudolf II

Hans Von Aachen - Pan und Selene


Hans Von Aachen
Pan und Selen

Hans Von Aachen - Pallas Athena, Venus and Juno


Hans Von Aachen
Pallas Athena, Venus and Juno
Museum of Fine Arts, Boston, USA

Hans Von Aachen - Jupiter umarmt Antiope


Hans Von Aachen
Jupiter umarmt Antiope

Hans Von Aachen - Bacchus, Ceres and Cupid


Hans Von Aachen
Bacchus, Ceres and Cupid
Kunsthistorisches Museum, Vienna, Austria

Hans Von Aachen - Allegory of Peace


Hans Von Aachen
Allegory of Peace, Art and Abundance

Hans Von Aachen - The Amazement of the Gods


Hans Von Aachen
The Amazement of the Gods
National Gallery, London, England

Hans Von Aachen - Allegory of the Turkish Wars


Hans Von Aachen Allegory of the Turkish Wars
The Declaration of War at Constantinople - 1603-04

Hans Von Aachen - Allegory


Hans Von Aachen
Allegory
Alte Pinakothek, Munich, Bavaria, Germany

Hans Von Aachen - Joking Couple


Artist: Hans Von Aachen
Title: Joking Couple
Museum: Kunsthistorisches Museum, Vienna, Austria

Hans von Aachen


German painter, born in Cologne (in spite of his name, which derives from his father s birthplace) and active in the Netherlands, Italy (1574-87), and most notably Prague, where he settled in 1596 as court painter to the emperor Rudolf II.
On Rudolf s death (1612) he worked for the emperor Matthias.
His paintings, featuring elegant, elongated figures, are - like those of his colleague Bartholomeus Spranger - leading examples of the sophisticated Mannerist art then in vogue at the courts of Northern Europe, and he was particularly good with playfully erotic nudes
( The Triumph of Truth, Alte Pinakothek, Munich, 1598).
Engravings after his work gave his style wide infiuence and
he ranks as one of the most important German artists of his time.